Passing tone
On any of the three weak quarters: reached and left by step in the same direction.
Third species counterpoint, four notes against one: passing tones, neighbour notes and the cambiata. Rules and examples you can hear.
4 : 1
Four quarter notes against each cantus note, opening with a quarter rest. The downbeat is consonant; the other three quarters may be dissonant, handled in one of three ways.
Practise third speciesOn any of the three weak quarters: reached and left by step in the same direction.
On the 2nd or 4th quarter: a step away from a consonance and straight back to it.
On the 2nd quarter: step down to the dissonance, leap a 3rd down to a consonance, then step up. The one dissonance in species counterpoint that is left by leap.
No repeated notes, no parallels across the barline, no 5ths or octaves on successive downbeats.
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