Parnasso

Third species counterpoint

Third species counterpoint, four notes against one: passing tones, neighbour notes and the cambiata. Rules and examples you can hear.

4 : 1

Third species

Four quarter notes against each cantus note, opening with a quarter rest. The downbeat is consonant; the other three quarters may be dissonant, handled in one of three ways.

Practise third species
G is a neighbour note: a step up from F and straight back.

Passing tone

On any of the three weak quarters: reached and left by step in the same direction.

A G F E D: G and E are dissonant, each passing by step between two consonances.

Neighbour note

On the 2nd or 4th quarter: a step away from a consonance and straight back to it.

E is a lower neighbour: a step down from F and straight back.

The cambiata

On the 2nd quarter: step down to the dissonance, leap a 3rd down to a consonance, then step up. The one dissonance in species counterpoint that is left by leap.

D C A B โ†’ C: the 7th (C) is left by a 3rd down, and the gap is filled by the step up.

The rest still holds

No repeated notes, no parallels across the barline, no 5ths or octaves on successive downbeats.

D on the last quarter, then E on the next downbeat: octaves across the barline.

Practise it now

Write third species counterpoint exercises in your browser. Every rule is checked as you write, and you can hear your lines.

Open in Parnasso